Posts Tagged ‘design’

Six simple design changes The Daily Caller should make today…

  1. The Arial is out of hand. I understand that it’s a web safe typeface. That still doesn’t mean it’s a good idea to use it for your masthead. Since you’re already willing to render the text as an image, you can definitely find something better. In fact, almost anything would be better (even some cliché blackletter). And please don’t use Arial for those feature headlines if you’re going to make them that large. The kerning is atrocious, which you can see in the example below if you look at the awkward space between the “Pa” and the “Fo”:
    Bad Arial Kerning
  2. It’s true that there’s no “above the fold” on the web. That doesn’t mean it’s OK to have a feature graphic and headline so large that a visitor can’t even see the whole image when their browser resolution is set to 1024 x 768. And yes, it’s bad when Drudge does it. Save that kind of thing for V-I Day, should we ever be so lucky.
  3. Kill the scrolling news ticker at the top of the page. This isn’t 1998 and your website isn’t a cable television news channel. Professional designers stopped using scrolling marquees for a reason.
  4. Show me bylines on all the news items in the center column of the homepage before I click through to the story–even if it shows you’re running syndicated content.
  5. You’re a new publication and you’re not established enough to get away branding your inside pages by just showing “The DC” in the upper left corner of the page. Show the full name of the site.
  6. The line-height should be increased on all body text to make the copy easier to read.
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A Fresh Website for Your Fresh Linens

Picture-3Linens of the Week came to us looking for a clean and up-to-date design for their website. In addition, they were seeking enhanced functionality to allow customer access to invoices and orders.

We sent over two design variations, making sure to reuse their currently branded blue whenever possible. Their feedback follows…

“Can I see this with a completely different color scheme?”

Hearing this might make a designer cringe, but it’s very important to make sure the client is happy.  Fortunately, the project was still in the early stages, so alterations were relatively easy to make.

After a brief consultation, we agreed to work on some new variations while keeping within the same basic palette. This would mean shifting the use of color around while adding shades and tints to create more variety. This type of consultation helps keep everyone happy by taking the middle ground. We aren’t creating designs with wildly conflicting colors, and the client doesn’t have to hear a flat out refusal on our end.

linens-1alinens-1clinens-1b

We submitted the above mockups, two of which rotated color usage in sections like the highlight column (bottom right corner), and one of which used a monochromatic scheme (third mockup from the left).

When only one color is used for a design, the overall feel can often be flat or what I’d consider “overly emotional”. A design that only uses red can make you feel too hectic or heated without a cool compliment for balance. Similarly, a design that only uses blue would make you feel too serious or cold without warm oranges or reds. When it came time to show our client the revisions, we made sure to bring this up as a possible issue.

In the end, they went with the primarily orange/gold design, giving the site a bright and light feeling while still leaving room to use the complimenting blue for their logo and headings.

When You Have Your Own Iconic Brand…

Did Gibson think that nobody would notice when they completely-ripped off Apple for  their new website design?

Gibson's New Site

 

For reference, here is a screencap of Apple’s site:

Apple's Current Site

 

Which brings me to two points:

  1. When you have your own iconic brand, you really shouldn’t need to steal so shamelessly.
  2. It’s 2009, Gibson. Did you really think table-based layout was still a good idea?
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A Clean New Direction for American Spectator

Spectator.org is the newest addition to the list of sites we’ve designed and built.

Since The American Spectator has been around for 1967, keeping the established identity was an important part of the design process. We retained their look by re-using the existing color palette and by keeping the established logo simple in a basic white on red header. Further distributing the red, we threw it into the date-bars, content category headings, third column headings, and buttons. Using the black in the large featured post area serves as the focal point, drawing the eye with an over-sized image and further distributing color. We continued this with the bold black post headings and the background for the active state of the nav list in the right column.

We were also tasked with keeping a good chunk of the content available on the main page without a ton of scrolling. To accomplish this, we kept the spacing between posts on the homepage to a minimum. This expands of course when you click through to read the full article. To create visual separation of content, we used thin borders on the bottom of each post and kept the article headings big compared to the accompanying text.

Along with the re-design, this site has been built on a newly built backend framework which allows for much greater content control by the editors. Additions to the backend are super simple now as well, so any client changes/requests can be managed quickly and efficiently.

Reason’s Giant Leap Into Video

In May of 2007, Reason.com asked Dancing Mammoth for help with a new endeavor: the launch of a website to serve as home for a series of short videos hosted by Drew Carey. In The Drew Carey Project, Drew would take to the street covering important current events and help people think about government in new ways.

We began by creating several mockups in Photoshop, utilizing some existing media to develop cohesive looking examples. With these, they were able to give us great feedback, helping to push the designs forward and moving closer to a design which met their needs.

A few color tweaks, a section or two added to the right column and the design was complete. Reliably serving up high quality video to a potentially massive visitor base was crucial, so we went with the Amazon S3 grid for this. So far this has been the perfect solution as well as an inexpensive one.

Currently, we are re-working the center column a bit to allow for smoother work flow, but the same basic feel will be retained.

Some notes for the CSS geeks

Notice how the text changes color on hover for the “send us your videos” and “Drew Carey Project Archive” areas in the right column? This was accomplished by using an <a> which has this image applied to it using the background declaration. There’s a :hover state for the <a> which shifts the background image up by sixty eight pixels.

Some earlier concepts:

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THE BALLERINAS

  • PJ Doland

    Born in a cross-fire hurricane and he howled at his ma in the driving rain.

    Matt

    Making sure all our websites have at least 15 pieces of flair.

    Erin Doland

    100 percent all-natural high-quality content machine.

    Francis Avila

    Ambidextrously juggling clients and code without breaking a sweat.

    Rachelle Ondiege

    Far too much energy for her own good.